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Zamua-2 Directory 07
Page 10
Van Goyen (1596-1656) was one of the earliest of the seventeenth-century landscapists. In subject he was fond of the Dutch bays, harbors, rivers, and canals with shipping, windmills, and houses. His sky line was generally given low, his water silvery, and his sky misty and luminous with bursts of white light. In color he was subdued, and in perspective quite cunning at times. Salomon van Ruisdael (1600?-1670) was his follower, if not his pupil. He had the same sobriety of color as his master, and was a mannered and prosaic painter in details, such as leaves and tree-branches. In composition he was good, but his art had only a slight basis upon reality, though it looks to be realistic at first sight. He had a formula for doing landscape which he varied only in a slight way, and this conventionality ran through all his work. Molyn (1600?-1661) was a painter who showed limited truth to nature in flat and hilly landscapes, transparent skies, and warm coloring. His extant works are few in number. Wynants (1615?-1679?) was more of a realist in natural appearance than any of the others, a man who evidently studied directly from nature in details of vegetation, plants, trees, roads, grasses, and the like. Most of the figures and animals in his landscapes were painted by other hands. He himself was a pure landscape-painter, excelling in light and aerial perspective, but not remarkable in color. Van der Neer (1603-1677) and Everdingen (1621?-1675) were two other contemporary painters of merit.
The fowl's egg is formed in the body of the hen, and is, in fact, part of her body inclosed in a shell and detached. It contains a minute rudiment of a fowl; and when it is kept at a proper temperature by the hen's sitting upon it, or otherwise for three weeks, this rudiment grows, or develops, at the expense of the materials contained in the yolk and the white, into a small bird, the chick, which is then hatched and grows into a fowl. The animal, therefore, is produced by the development of a germ in the same way as the plant; and, in this respect, all plants and all animals agree with one another, and differ from all mineral matter.
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