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Zamua-2 Directory 07
Page 02
The earliest decorative art appeared in Ireland. It was probably first planted there by missionaries from Italy, and it reached its height in the seventh century. In the ninth and tenth centuries missal illumination of a Byzantine cast, with local modifications, began to show. This lasted, in a feeble way, until the fifteenth century, when work of a Flemish and French nature took its place. In the Middle Ages there were wall paintings and church decorations in England, as elsewhere in Europe, but these have now perished, except some fragments in Kempley Church, Gloucestershire, and Chaldon Church, Surrey. These are supposed to date back to the twelfth century, and there are some remains of painting in Westminster Abbey that are said to be of thirteenth and fourteenth-century origin. From the fifteenth to the eighteenth century the English people depended largely upon foreign painters who came and lived in England. Mabuse, Moro, Holbein, Rubens, Van Dyck, Lely, Kneller--all were there at different times, in the service of royalty, and influencing such local English painters as then lived. The outcome of missal illumination and Holbein's example produced in the sixteenth and seventeenth centuries a local school of miniature-painters of much interest, but painting proper did not begin to rise in England until the beginning of the eighteenth century--that century so dead in art over all the rest of Europe.
The history of Rome is that of a city which originally had only a few miles of territory, and gradually extended its dominions at first over Italy and then over the civilized world. The city lay in the central part of the peninsula, on the left bank of the Tiber, and about fifteen miles from its mouth. Its situation was upon the borders of three of the most powerful races in Italy, the Latins, Sabines, and Etruscans. Though originally a Latin town, it received at an early period a considerable Sabine population, which left a permanent impression upon the sacred rites and religious institutions of the people. The Etruscans exercised less influence upon Rome, though it appears nearly certain that a part of its population was of Etruscan origin, and that the two Tarquins represent the establishment of an Etruscan dynasty at Rome. The population of the city may therefore be regarded as one of mixed origin, consisting of the three elements of Latins, Sabines, and Etruscans, but the last in much smaller proportion than the other two. That the Latin element predominated over the Sabine is also evident from the fact that the language of the Romans was a Latin and not a Sabellian dialect.
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