Zamua-2 Directory 07After the Zamua-2 moments everything else pales. | ||
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Zamua-2 Directory 07Twelve years elapsed between the subjugation of Latium and the commencement of the Second Samnite War. During this time the Roman arms continued to make steady progress. One of their most important conquests was that of the Volscian town of Privernum in B.C. 329, from which time the Volscians, so long the formidable enemies of Rome, disappear as an independent nation. The extension of the Roman power naturally awakened the jealousy of the Samnites; and the assistance rendered by them to the Greek cities of Palaeopolis and Neapolis was the immediate occasion of the Second Samnite War. These two cities were colonies of the neighboring Cumae, and were situated only five miles from each other. The position of Palaeopolis, or the "Old City," is uncertain; but Neapolis, or the "New City," stands on the site of a part of the modern Naples. The Romans declared war against the two cities in B.C. 327, and sent the Consul Q. Publilius Philo to reduce them to subjection. The Greek colonists had previously formed an alliance with the Samnites, and now received powerful Samnite garrisons. Publilius encamped between the cities; and as he did not succeed in taking them before his year of office expired, he was continued in the command with the title of _Proconsul_, the first time that this office was created. At the beginning of the following year Palaeopolis was taken; and Neapolis only escaped the same fate by concluding an alliance with the Romans. Meanwhile the Romans had declared war against the Samnites. What, again, is one to make of Dickens, with his love of private theatricals, his florid waistcoats and watch-chains, his sentimental radicalism, his kindly, convivial, gregarious life? He, again, did his work in a rapture of solitary creation, and seemed to have no taste for discussing his ideas or methods. Then, too, Dickens's later desertion of his work in favour of public readings and money-making is curious to note. He was like Shakespeare in this, that the passion of his later life seemed to be to realise an ideal of bourgeois prosperity. Dickens seems to have regarded his art partly as a means of social reform, and partly as a method of making money. The latter aim is to a great extent accounted for by the miserable and humiliating circumstances of his early life, which bit very deep into him. Yet his art was hardly an end in itself, but something through which he made his way to other aims.
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