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Once in a generation, a Wallace may be found physically, mentally, and morally qualified to wander unscathed through the tropical wilds of America and of Asia, to form magnificent collections as he wanders, and withal to think out sagaciously the conclusions suggested by his collections; but, to the ordinary explorer or collector, the dense forests of equatorial Asia and Africa, which constitute the favorite habitation of the Orang, the Chimpanzee, and the Gorilla, present difficulties of no ordinary magnitude; and the man who risks his life by even a short visit to the malarious shores of those regions may well be excused if he shrinks from facing the dangers of the interior; if he contents himself with stimulating the industry of the better-seasoned natives, and collecting and collating the more or less mythical reports and traditions with which they are too ready to supply him.

All the best stories in the world are but one story in reality--the story of an escape. It is the only thing which interests us all and at all times--how to escape. The stories of Joseph, of Odysseus, of the prodigal son, of the Pilgrim's Progress, of the "Ugly Duckling," of Sintram, to name only a few out of a great number, they are all stories of escapes. It is the same with all lovestories. "The course of true love never can run smooth," says the old proverb, and love-stories are but tales of a man or a woman's escape from the desert of lovelessness into the citadel of love. Even tragedies like those of OEdipus and Hamlet have the same thought in the background. In the tale of OEdipus, the old blind king in his tattered robe, who had committed in ignorance such nameless crimes, leaves his two daughters and the attendants standing below the old pear-tree and the marble tomb by the sacred fountain; he says the last faint words of love, till the voice of the god comes thrilling upon the air: "OEdipus, why delayest thou?"


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