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Zamua-2 Directory 01
Page 03
In the trees that line one of the main streets and fashionable drives leading out of Washington city, and less than half a mile from the boundary, I have counted the nests of five different species at one time, and that without any very close scrutiny of the foliage, while in many acres of woodland, half a mile off, I searched in vain for a single nest. Among the five that interested me most was that of a blue grossbeak. Here this bird, which, according to Audubon's observations, in Louisiana is shy and recluse, affecting remote marshes and the borders of large ponds of stagnant water, had placed its nest in the lowest twig of the lowest branch of a large sycamore, immediately over a great thoroughfare, and so near the ground that a person standing in a cart or sitting on a horse could have reached it with his hand. The nest was composed mainly of fragments of newspaper and stalks of grass, and, though so low, was remarkably well concealed by one of the peculiar clusters of twigs and leaves which characterize this tree. The nest contained young when I discovered it, and though the parent birds were much annoyed by my loitering about beneath the tree, they paid little attention to the stream of vehicles that was constantly passing. It is a wonder to me when the birds could have built it, for they are much shyer when building than at other times. No doubt they worked mostly in the morning, having the early hours all to themselves.
It is not as a rule the calm and controlled people who have this attractiveness for others; it is rather those who unite with an enchanting kind of playfulness an instinct to confide in and to depend upon protective affection. Very probably there is some deepseated sexual impulse involved, however remotely and unconsciously, in this species of charm. It is the appeal of the child that exults in happiness, claims it as a right, uses it with a pretty petulance,--like the feigned enmity of the kitten and the puppy,-and when it is clouded over, requires tearfully that it shall be restored. That may seem an undignified comparison for a prince of the church. But Newman was artist first, and theologian a long way afterward; he needed comfort and approval and even applause; and he evoked, together with love and admiration, the compassion and protective chivalry of his friends. His writings have little logical or intellectual force; their strength is in their ineffable and fragrant charm, their ordered grace, their infinite pathos.
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